In the U.K. I'm probably better known as a comedy writer - or certainly that's my background is in writing comedy.

[Black Mirror] is always about unforeseen consequences and unforeseen problems, it's not usually that someone's created a machine that they want to enslave mankind with, it's someone's invented a new kind of... paperweight that enslaves mankind.

I think more and more people became aware that social media was starting to feel like a more toxic space. And, I mean - quite a lot of incidents of people getting very, very angry about all kinds of things and attacking people.

'Waldo' was one episode I always felt I didn't quite crack. And weirdly, now that feels like one of the more prescient ones.

At the other end of the spectrum, George Gideon Oliver King Rameses Osborne, the fourteen-year-old novelty Chancellor and future baronet of Ballentaylor and Ballylemon - a man so posh he probably weeps champagne.

I was more aware initially of shows like Tales of the Unexpected. And the BBC used to put on a lot of one-off, bizarre television plays.

It's interesting, in the U.K., I'm known for doing comedy things, which often doesn't translate to the U.S.