I am going home and I think in a week or so, hopefully, I'll be done with all the press stuff, and then I can kind of into my cave and start preparing for "Mad Max."

You always have this fear in a movie of just being somebody's woman.

I do think that when you're specifically working in a country like South Africa, you have to be able to be aware of the cultural truth of what people are raised in and believe in and how they function within their society.

So how critics will perceive your film or your work, or whether your movie is going to make $100 million at the box office, or whether you are going to be winning any awards - well, you have no control over that.

Women are not allowed to be [complicated] in our society. We're comfortable seeing women as great mothers, and then we're comfortable seeing them as hookers, but there's no in-between.

I'm a true believer that everything happens the way it should.

I can't live in a bubble and expect to come and work with Dior or go work on a movie and not have some kind of an evolution within myself and my own thought process and a passion about things or what's happening in the world. All of those things are the elements that make you who you are, and those are the things that sincerely come across in a photo or a commercial or in an interview. That's a constant thing for me.