I don't try to kind of go for the overly sympathetic. I don't really like sympathy; I don't like it for myself. Sometimes sympathy you feel like, you're kind of trying to victimize someone.

I was raised with the idea that you can feel sorry for yourself, but then, get over it, because it doesn't get you anywhere. There was always this awareness that you have to be responsible for yourself in order to have what you want

Beauty is more than skin deep.

Too many people have died so unnecessarily; AIDS is completely preventable, yet it's killing more kids in South Africa then everything else, and that's just not how it should be.

I guess because I pay so much attention to the physical part of the character, I don't look upon it as like Charlize Theron up there. I don't think of them as like Charlize Theron films.

I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the ­envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.

You have to keep evolving.