I don't try to kind of go for the overly sympathetic. I don't really like sympathy; I don't like it for myself. Sometimes sympathy you feel like, you're kind of trying to victimize someone.

I don't want to live in a world where I just kind of play on my naïveté - well if I don't know it, then it doesn't exist.

I grew up in South Africa and I would look at maps and we were at the bottom of the world. There was this whole thing up there. I was always reading encyclopedias about the world. So travel was something I was always attracted to.

So how critics will perceive your film or your work, or whether your movie is going to make $100 million at the box office, or whether you are going to be winning any awards - well, you have no control over that.

I don't think you can create anything interesting from a comfort zone. You have to work from a place of fear and failure.

I just want to make good movies. Honestly, the only difference for me with this stuff is that there is more people on the set.

People always say to me, "What's wrong with Hollywood? They don't want to make female-driven movies." And that's not where the problem lies. It lies with us, in society. When we make these movies, nobody goes to see them.