So how critics will perceive your film or your work, or whether your movie is going to make $100 million at the box office, or whether you are going to be winning any awards - well, you have no control over that.

I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the ­envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.

The fabric of my life is under my skin; [but] it's definitely not something that comes up in a conscious way when I read material. I have an incredible relationship with my mom, so I'm fascinated by mothers who do not have that. But I've never done anything that resembled my life. People always jump to that conclusion, and I wish life were that simple, but it's not.

I'm a true believer that everything happens the way it should.

I'm interested in human behavior, and what happened in my family life is definitely not a unique story. There are aspects of that I'm sure you can see through the work. But I'm just looking for something that touches me.

I love fragrance for the pure fact that I think it's something that women utilize in a way to make themselves feel good, and I think this idea that we do it for men or for other people is such a misconception.

Oh my God I am so cool.