I have very talented people dress me and put my makeup on, stuff like that. But I do love that look, and I think it's maybe because I grew up on that old glamour.

I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the ­envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.

So I did that for a long time in my career, and I waited for parts to play myself just physically down a little bit. But I do feel like I'm at a place in my career now where I don't necessarily fret about that too much anymore.

My job is to be a blank canvas & embody the characters that I'm playing.

I look at my career and how I'm doing it now. I feel like there is something authentic in that process that I still try not to over manipulate. When I feel something, I try to listen to that.

As you get older, you get wrinkles and your boobs sag. But you get wisdom, too. So it's not all bad!

I am human, and, yeah, I have very bad days.