The real beauty of the time we're living through is that we can deploy our self-image in ways that can have radical social implications.

The limitation of the vlog format is that it may seem to give people enough, when they actually have no real autonomy.

There's something quite magical that can happen when a secret is no longer a secret - or is a shared secret or a common secret. By allowing those boundaries to be porous, certain forms of oppression may be lifted.

The internet does not adhere to the inherent, necessary asymmetry of high-versus-low-art categorizations that we use in the cultural sector: in a banal sense, all photographs on the Web are orphans ready to be claimed.

I think that the role of curating an exhibition is to reanimate history and make it relevant to a contemporary viewer.

Photography is, and has been since its conception, a fabulously broad church. Contemporary practice demonstrates that the medium can be a prompt, a process, a vehicle, a collective pursuit, and not just the physical end product of solitary artists' endeavors.

We are not only a civilization of amateur photographers; we are amateur curators, editors, and publishers.