There's something quite magical that can happen when a secret is no longer a secret - or is a shared secret or a common secret. By allowing those boundaries to be porous, certain forms of oppression may be lifted.

Every time you enter a space, you are on public display. Nothing is private.

Photography is, and has been since its conception, a fabulously broad church. Contemporary practice demonstrates that the medium can be a prompt, a process, a vehicle, a collective pursuit, and not just the physical end product of solitary artists' endeavors.

I think that the role of curating an exhibition is to reanimate history and make it relevant to a contemporary viewer.

More platform-sensitive generations will make distinctions between online and in-person intimacy, whereas fourteen-year-olds have very nuanced online selves and might embody their virtual identity in the physical, analogue version of themselves. They have a much more pluralistic understanding of the self. I don't think we'd be here now in this amazing sexual and gender revolution without the online space where young people can see and share other versions of identity and sexuality.

The limitation of the vlog format is that it may seem to give people enough, when they actually have no real autonomy.

We are not only a civilization of amateur photographers; we are amateur curators, editors, and publishers.