There's something quite magical that can happen when a secret is no longer a secret - or is a shared secret or a common secret. By allowing those boundaries to be porous, certain forms of oppression may be lifted.

I think that the role of curating an exhibition is to reanimate history and make it relevant to a contemporary viewer.

We are not only a civilization of amateur photographers; we are amateur curators, editors, and publishers.

The internet does not adhere to the inherent, necessary asymmetry of high-versus-low-art categorizations that we use in the cultural sector: in a banal sense, all photographs on the Web are orphans ready to be claimed.

The real beauty of the time we're living through is that we can deploy our self-image in ways that can have radical social implications.

In an era where digital or virtual is the default, the actual coming together into a physical space has to be an experience that you don't want to miss.

The limitation of the vlog format is that it may seem to give people enough, when they actually have no real autonomy.