I don’t have tons of scripts where I don’t know what to choose and I’m trying to calculate. It’s either I read something and I have an impulse to do it, or in meeting someone, I want to work with them, but it’s always been very obvious.

I felt that people would criticize everything. I was so scared about playing Paris. I was very much aware that the greatest concerts my father and mother had done were there. I was sure people would be very tough.

I think it's a legend that Lars von Trier is such a tough person to work with. I really didn't experience any of that. Of course, he's difficult in the sense that what he asks for is difficult. For my part in Antichrist, I suffered a bit. But it was the part - it wasn't him. He wasn't cruel. On the contrary, he was very kind. You know what you're up for when you read the pitch.

It's nice that we have all these different films.

The more you turn down things, the more difficult it becomes to feel that the next one will be right.

I was so lucky because I started working very young. And my father was very wealthy and I didn't need to work. I did my films. I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward, you know. It's so easy to say no to stuff, and then, after a while, it's very hard to go back in.

I wish I could just accept that I'm not that good and not be shy about the fact that I'm not that professional.