I don’t have tons of scripts where I don’t know what to choose and I’m trying to calculate. It’s either I read something and I have an impulse to do it, or in meeting someone, I want to work with them, but it’s always been very obvious.

I was so lucky because I started working very young. And my father was very wealthy and I didn't need to work. I did my films.

Each time I changed, it was as if, on purpose, I didn’t want anyone to know too much about me, which of course now I regret, because I closed myself to everything. But it was my way of dealing with things.

Maybe, in the back of my head, I'm thinking I have to do as much as I can. It'll stop.

I was really nervous about people booing, because my mother had gone for a film 20 years earlier and had a terrible time with people booing, whistling, so I knew that in Cannes people can get aggressive.

I didn't go to acting school, so it was great to be able to rehearse for a month or two, to workshop, and be with a director who even gave me acting exercises.

At the beginning it wasn't to do with the work, it was more the experience.