You don't accept your weaknesses the same way that you love the weaknesses of another artist, because when they make mistakes they don't look like weaknesses.

In France I'm very private, I don't like talking about my life, and I imagined that people would think that I'm now an open book.

I went on television and I wouldn't say a word; I feel so stupid when I watch them again.

Wanting to do it was much more powerful than the fright.

I don’t have tons of scripts where I don’t know what to choose and I’m trying to calculate. It’s either I read something and I have an impulse to do it, or in meeting someone, I want to work with them, but it’s always been very obvious.

You don't accept your weaknesses the same way that you love the weaknesses of another artist, because when they make mistakes they don't look like weaknesses.

Letting go of things and not being afraid of being ridiculous or over the top - I think that's the main thing for me to work on.