I was really inspired by my own experience, and specifically my own identity crisis but larger than that, I also wanted to explore the trend of reverse immigration, of the immigrant returning home after being in a host country or an adopted home for 20 years, and finding themselves at various levels of discord with the home culture. I wanted to explore people building lives across multiple geographies. I think that's, something that we're experiencing more and more as travel becomes easier, as people are traveling more for work. People can work from anywhere.
Cherien DabisSome of my favorite all-time movies - Wong Kar-wai is just amazing. In the Mood for Love is probably my favorite film ever. Those lyrical montages are so stunning.
Cherien DabisI knew that I wanted to live in a city, but had never really been to New York. But I was begging my parents as a kid to move to New York, so it was just something that I sort of knew from a young age.
Cherien DabisI definitely did not play myself. As the writer of the script, I have traits of all the characters. I can relate to all of the characters.
Cherien DabisI have to try to watch myself and give myself feedback. People would take for granted that I was ready to go right away. And I would say, "No, no, no, no, I actually have to go talk to myself." Because I need to just take a minute to think about what just happened and tell myself what to do in the next take, so just give me two minutes to go be a director.
Cherien DabisJordan is many different things and there's many different parts of it. We don't ever really get to see a modern Arab city, a part of the Arab world where people are seemingly living their lives like everywhere else and also just a part of the Arab world that's surprisingly Americanized, with fast-food joints everywhere and shopping malls. Over the 30 years I've been traveling there, I really saw it grow and become modernized and much more Americanized in a way that surprised me as an Arab-American.
Cherien Dabis