I definitely did not play myself. As the writer of the script, I have traits of all the characters. I can relate to all of the characters.

I'm always looking for ways to explore the politics of the everyday. For me, the proverbs were a way of bringing in this ancient wisdom that in Arabic culture is often quoted. Those proverbs are such a huge part of the language and parts of people's every day. This is the wisdom that we use in our everyday life but we're not always listening to.

Jordan is many different things and there's many different parts of it. We don't ever really get to see a modern Arab city, a part of the Arab world where people are seemingly living their lives like everywhere else and also just a part of the Arab world that's surprisingly Americanized, with fast-food joints everywhere and shopping malls. Over the 30 years I've been traveling there, I really saw it grow and become modernized and much more Americanized in a way that surprised me as an Arab-American.

When there's an actor involved, the actor's talking to the director or the director's talking to the actor. But when there are not those two people interacting, it's all one person in your own mind, you have to be so extra-clear about what you need.

Some of my favorite all-time movies - Wong Kar-wai is just amazing. In the Mood for Love is probably my favorite film ever. Those lyrical montages are so stunning.

I watch everything from independent art-house cinema to foreign film. I don't watch as many Hollywood blockbusters but once in a while, I'm curious. I like to see what's out there.

I grew up watching a lot of Egyptian movies. My parents had this huge VHS collection of every Egyptian movie you can possibly imagine, and Egypt was kind of the Hollywood of the Middle East back in the '40s, '50s, and '60s. That was my first education in film.