I'm reading George Saunders's story collection, "Tenth of December." He was my mentor at the University of Syracuse. The stories are mind-blowing like everyone says.

"The Dream of a Common Language" by Adrienne Rich. I carried it the entire hike. On my first night, when I felt like I was in too deep, I read the first poem out loud to myself over and over.

Don't worry. Don't apologize. Don't cower behind the defeated security of there is no 'room for someone like me'. There isn't room for any one of us. It's up to you to make a place for yourself in the world. So get to work.

Once I was in a cafe in Portland and the woman at the next table and I began chatting and in the course of our conversation she strongly recommend I visit this web site called 'The Rumpus' so I could read this advice column called 'Dear Sugar.' It was so painful not to tell her that in fact I was Sugar, but I didn't.

The writing life doesn't move in a straight line. I've had successes and rejections all along the way, at every stage of my career, and I will continue to do so. Acceptances and rejections don't define me. They're both part of what it means to be a writer. My job is to simply keep doing the work.

We love and care for oodles of people, but only a few of them, if they died, would make us believe we could not continue to live. Imagine if there were a boat upon which you could put only four people, and everyone else known and beloved to you would then cease to exist. Who would you put on that boat? It would be painful, but how quickly you would decide: You and you and you and you, get in. The rest of you, goodbye.

Because when an artist has to assert that her intended audience is all humans rather than those who happen to be of her particular gender or race, what she’s actually having to assert is the breadth and depth of her own humanity.