In my perception, the world wasn't a graph or formula or an equation. It was a story.

I was a terrible believer in things,but I was also a terrible nonbeliever in things. I was as searching as I was skeptical. I didn't know where to put my faith,or if there was such a place,or even what the word faith meant, in all of it's complexity. Everything seemed to be possibly potent and possibly fake.

Going down (descending), I realized, was like taking hold of the loose strand of yard on a sweater you'd just spent hours knitting and pulling it until the entire sweater unraveled into a pile of string. Hiking the PCT was the maddening effort of knitting that sweater and unraveling it over and over again. As if everything gained was inevitably lost.

Writing is such a strangely and radically private act, and yet its purpose is this great sense of connection and community. I mean, I wanted people to love the book. And the only way to get them to love it is to try to make it good for them. So of course the audience has to be considered.

My mother's death put me in touch with my most savage self. As I've grown up and come to terms with her death and accepted it, the pieces of her that I keep don't exist materially.

I never got to be in the driver's seat of my own life," she'd wept to me once, in the days after she learned she was going to die. "I always did what someone else wanted me to do. I've always been someone's daughter or mother or wife. I've never just been me." "Oh, Mom," was all I could say as I stroked her hand. I was too young to say anything else."

Uncertain as I was as I pushed forward, I felt right in my pushing, as if the effort itself meant something. That perhaps being amidst the undesecrated beauty of the wilderness meant I too could be undesecrated, regardless of the regrettable things I'd done to others or myself or the regrettable things that had been done to me. Of all the things I'd been skeptical about, I didn't feel skeptical about this: the wilderness had a clarity that included me.