The most important thing for aspiring writers is for them to give themselves permission to be brave on the page, to write in the presence of fear, to go to those places that you think you can’t write - really that’s exactly what you need to write.

So on one hand, because the wilderness was familiar to me, it really helped me be brave. But it still was scary sometimes. I had to say to myself: "Chances are, you're not going to be mauled by a bear."

My mom died when I was 22. My stepfather, who I loved like a father, pretty quickly got involved with another woman. Suddenly there was another woman sleeping in my mother's bed, and it was very difficult. Their relationship brought up my profound loss, and the truth was that my family would never be the same again.

I grew up in northern Minnesota on 40 acres of wooded land 20 miles from the nearest town, and so the wilderness was home. It was not an unsafe place. I had that advantage. But there are so many representations of the wilderness being dangerous. You know, depictions of wild animals attacking people. It's like, "No, we kill those animals in far greater numbers than they kill us."

My mother's death put me in touch with my most savage self. As I've grown up and come to terms with her death and accepted it, the pieces of her that I keep don't exist materially.

If you want to read anything nasty about me, just go to the backpacker websites. There's this kind of elitist branch where they really believe that I had no business going backpacking.

The only way I've been able to stay informed without letting fury rule my life is to channel my rage into something that ultimately feels like love to me. The place I do that the best is in my writing. That's where I feel like I can tap into the power of story and maybe bring something good into the world.