Remember the movements that don't look like moving.

A city like London was always going to be a paradox, the best of it so very riddled with the opposite, so Swiss-cheesed with moral holes.

Loads of children read books about dinosaurs, underwater monsters, dragons, witches, aliens, and robots. Essentially, the people who read SF, fantasy and horror haven't grown out of enjoying the strange and weird.

We should have just killed him, that's a lesson, don't get creative with revenge

I like the idea of trying to write a book in every genre.

The reason that I like SF and fantasy and horror is that to me it's the pulp wing of surrealism. That's the aesthetic of undermining and creative alienation that I really go for.

Is it more childish and foolish to insist that there is a conspiracy or that there is not?