When I think of the standing, the importance and the erudition of all these people who see nothing about racism in Heart of Darkness, I'm convinced that we must really be living in different worlds.

You might as well say that the woman lies on top of the man when they are making the babies.

I tell my students, it's not difficult to identify with somebody like yourself, somebody next door who looks like you. What's more difficult is to identify with someone you don't see, who's very far away, who's a different color, who eats a different kind of food. When you begin to do that then literature is really performing its wonders.

There is a certain increase in the importance I assign to women in getting us out of the mess that we are in, which is a reflection of the role of women in my traditional culture - that they do not interfere in politics until men really make such a mess that the society is unable to go backward or forward. Then women will move in.

The price a world language must be prepared to pay is submission to many different kinds of use. The African writer should aim to use English in a way that brings out his message best without altering the language to the extent that its value as a medium of international exchange will be lost. He should aim at fashioning out an English which is at once universal and able to carry his peculiar experience.

Charity . . . is the opium of the privileged.

People go to Africa and confirm what they already have in their heads and so they fail to see what is there in front of them. This is what people have come to expect. Its not viewed as a serious continent. Its a place of strange, bizarre and illogical things, where people dont do what common sense demands.