There is a certain increase in the importance I assign to women in getting us out of the mess that we are in, which is a reflection of the role of women in my traditional culture - that they do not interfere in politics until men really make such a mess that the society is unable to go backward or forward. Then women will move in.

We live in a sea of general ideas, so that's not a novel, since there are so many general ideas. But the moment a particular idea is linked to a character, it's like an engine moves it. Then you have a novel underway.

We cannot trample upon the humanity of others without devaluing our own. The Igbo, always practical, put it concretely in their proverb Onye ji onye n'ani ji onwe ya: 'He who will hold another down in the mud must stay in the mud to keep him down.'

I think as you grow up and you see things which are around you and you ask questions and you hear the answers, your situation becomes more and more of a puzzle. Now, why is it like this, why are things like this and since writing is one way in which one can ask this questions and try to find these answers, it seems to me a very natural thing to do, especially as it meant stories which I always found moving, almost unbearably necessary.

If you were to loose the habit of making the effort to get the book and read the words one by one you would have lost something terribly important. So I think that we have a task to ensure that this doesn't happen.

It is not quite true to say that I am not an advocate of writing in African languages. What I think is, one has to think about what is practicable.

Every generation must find its mission and fulfill it, as Fanon said - or betray it. So it is not something that you can write up on the wall, saying this is what has to be done. Every generation has to discover what it needs to do.