I think the language that we use in dealing with one another is very important. And even if I am called upon to bring out some money to support a regime, and I am entitled to say I do not like what that regime does and obviously I am not going to put money there - you cannot really say this is wrong or this is unreasonable.

The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.

I have found that I work best when I am at home in Nigeria. But one learns to work in other places.

An old woman is always uneasy when dry bones are mentioned in a proverb

Nobody can teach me who I am.

There is that great proverb - that until the lions have their own historians, the history of the hunt will always glorify the hunter. That did not come to me until much later. Once I realized that, I had to be a writer. I had to be that historian. It's not one man's job. It's not one person's job. But it is something we have to do, so that the story of the hunt will also reflect the agony, the travail - the bravery, even, of the lions.

The market literature, which was particularly strong in Igboland, in Onitsha, today it is no longer strong. It is one of the victims of the civil war, that market was actually destroyed and at the end of the war a new Nigeria has struggled to come into being and I believe that what is probably going to replace the market literature might be the video, which they have taken to in a big way, creating dramas. So that may be the next thing way we will see coming out of the local basic level in our society.