A pen on paper is the ideal way for me. I am not really very comfortable with machines; I never learned to type very well.

Now one of the changes that must come to Africa is the idea of limited rule, I mean in term of how long one leader can stay in power. The era of president for life is not gone yet but it is on its way out and that is one of the problems with Mugabe and others.

When I began going to school and learned to read, I encountered stories of other people and other lands. In one of my essays, I remember the kind of things that fascinated me. Weird things, even, about a wizard who lived in Africa and went to China to find a lamp... Fascinating to me because they were about things remote, and almost ethereal.

I think back to the old people I knew when I was growing up, and they always seemed larger than life.

I did not think of writing as a career and I don't think that I did this ever really, but I think of writing as something that I could do, I should do alongside whatever else I was doing. It simply grew on me.

I think that is one of the first things that I got clear in my mind when I began to play around with fiction, that I had to find a language and it was not in existance at the time. You have put it very well - it wasn't to be taken for granted. You had to go on and search until you found a way through the conversation of English and Igbo. The two languages stuck into each other and tried to find a way to express through one, the medium of the thoughts. That's a very exciting thing to do, a very difficult thing to do.

In my definition I am a protest writer, with restraint.