I'm constantly discovering things. Like Bobby Bland. Right now I suppose I'm into the Eighties, which turned out to be a great musical period.

I think a lot of acting is about the removal of self-consciousness. The actor is going to be in front of a lot of people, and will naturally feel self-conscious. So a lot of the preparation for that is the removal of that idea. Like you embody or are connected to this character, therefore you can present this character in a way that eventually, when you come back to see it, you feel not exactly ashamed of.

I think fear is a very healthy motivator.

I've often had the fortune to work on projects with a small theme I find very interesting enough to pursue and to be passionate about in the context of the story, then it may turn out there's a universality about my character which still resonates with many people as well.

That global poverty would end. That people would be able to eat. It's the worst shame in the world that people go hungry.

There's always something ridiculous happening on the set, especially when people get tired because of the long days.

Depending on what your interest in theater is, I always recommend working on plays. It's a great way to be introduced to the field, and also a great way to be seen by agents and representation. I'm also a great advocate for studying acting at a drama school or a college.