When you're a music director, you have people constantly sending you music and trying to get - I mean, I'm sure you have the exact same thing when you do a magazine - that you have people constantly wanting to get your attention. And I think I learnt a lot from being on that end of things, when I was trying to book the tour, the first tour we did.

I'm not the type to generalise about an entire generation. I think the most general thing I can say, is that things are way more dispersed, and way more de-centralised than they were twenty years ago. I don't really feel like people talk about my generation the way people would talk about Generation X in their early 90's when Nirvana blew up. I feel like there was an easier, more coherent narrative to find, than you can now.

I think in general, it's just an interesting age to be at, after college. You spend so much of your life, being on this academic trajectory - and then when it's done - all of a sudden the whole world is maybe open to you. But you're the one that's really in charge of your path. And that can be a really scary thing, I think.

When you're a music director, you have people constantly sending you music and trying to get - I mean, I'm sure you have the exact same thing when you do a magazine - that you have people constantly wanting to get your attention. And I think I learnt a lot from being on that end of things, when I was trying to book the tour, the first tour we did.

Now, I'm mostly a beer man. When I drink hard liquor, it usually doesn't end the best, so I keep it chill with beer.

Sometimes if I go to a show, someone will recognize me. But the neighborhood I live in, there's so many people who are in successful bands that it's really not a big deal. And I like that. I like the energy of going to lunch with a friend, seeing the three dudes from Yeasayer walking in, and saying hi to them. I think that's neat.

When you're working on a record, I find it's better not to share details during that process. Because, until it's done, it can change.