Montreal's a unique city, very fascinating stories of architecture and history, and it's this sort of bizarre mixture of Europe and North America. It's not quite Canada and it's not quite America, and it's definitely got this very Euro feel to it. It's a very, very interesting city.

Acting is attached to almost everyone in Los Angeles. Everyone has stars in their eyes when they come out here. I have an expression... it's like if you turn to the left and if you turn the right; if they're not an actor, you are. It's essentially true.

I've always said and I'd be one of the first people to admit; I think there are literally thousands of actors out there more talented than I am by a country mile. I've just been fortunate enough to be in the right place at the right time, and I guess I had the right look.

I think every actor tries to put a little bit of themselves into each character, and I think if you watch very closely, every actor has a bit of himself in every role whether they want to admit it or not.

One of the great things about the longer you do a character, the more the writers start to understand your kind of character ticks and things that you like to do. The most exciting thing I think for a writer is when the characters just start speaking for themselves. You sit down at your keyboard and just stuff starts jumping out of their mouths. They just sort of wrote the scripts for themselves.

I try not to plan more than 24 hours ahead at any given point. If I've learned anything, it's that you just can't plan. Whatever you think is going to happen never does, and there's always the X factor that always comes up and surprises you.

I always remind myself that whenever I see a good review or hear a good opinion of a role that I've done that it's just an opinion, and therefore it's technically neither right nor wrong; it can't be. It's not a fact, it's not solid, it's not something you can bet the house on.