I think for a lot of people, the financial barrier is the biggest leap you have to take to follow your dreams. A lot of people don't want to stick their necks out and take that risk, which is totally understandable - I think for a lot of people it doesn't happen because it's not a necessity. Unless it's a necessity to do this, it can be a pretty scary process.

If you are a New York comedian who knows how to improvise and has glasses, you're going to start getting commercials.

Being comedian outside of performing, you're someone who's analyzing life, and thinking about it, and observing so much. In my opinion, it can make you feel sort of on the outside looking in.

The thing that I like about public-access is that I am often in the middle of chaos.

I'm actually in a funny place now where I'm more secure than I've ever been. My career is more stable than it's ever been and that's nice, but it's put this thought in my mind where I'm like, "I have more to lose now." I still have to remind myself that I can't be quiet and back away from the things that have got me here, which is kind of doing it my way and not necessarily caring what the consequences are. A lot of that comes back to music.

There's a weird loneliness that comes with being a comedian, especially standup. Even with improvisers, I think there are certain moments of truth where you feel really, really connected to audiences, and that's when you're on stage. I think there's definitely something inside the personality of a person who wants to be a comedian that's looking to connect at all times. That's where the adrenaline rushes in their lives come from.

Both creatively and organizationally, being medicated has helped me immensely. My career did not start until I was medicated. And then I can track - the years I was off medication, things dipped. And the years I went back on medication is when things started to get good for me again career wise. It is 100 percent in my case undeniable that being medicated helped my creativity.