I think the sheer fact of women talking, being, paradoxical, inexplicable, flip, self-destructiv e but above all else public is the most revolutionary thing in the world.

In Mexico, muralism is an important part of the artistic vocabulary, and it has a very different place than it does in the US. Here, you see mainly commercial signage and dead slick graphic works, or murals that are incredibly narrative and littered with too much content - bad political art. But in Mexicali, all kinds of artists work with mural art. In Mexicali, the social practice of art existed in a completely authentic and unselfconscious way.

Stalinism - or communism - is the only ideology Americans know how to demonise... no one knows what it is, it's just a synonym for the Empire of Evil.

Writing can be bad and still be part of something good. That 'art' is really 'artifact,' Exhibit A, Exhibit B, of something else: a person's whole experience and life. And that always there's the chance that this will fail. That things will not work out.

Why does everybody think that women are debasing themselves when we expose the conditions of our debasement?

No one...can live in this heightened state of reflective receptivity forever. Because this empathy's involuntary, there's terror here. Loss of control, a seepage. Becoming someone else or worse: becoming nothing but the vibratory field between two people.

I think the sheer fact of women talking, being, paradoxical, inexplicable, flip, self-destructiv e but above all else public is the most revolutionary thing in the world.