I think what makes you feel so connected with certain writers isn't a matter of autobiographical detail, but that the emotions are real. The way some writers are able to channel themselves through the form.

I think what makes you feel so connected with certain writers isn't a matter of autobiographical detail, but that the emotions are real. The way some writers are able to channel themselves through the form.

Writing can be bad and still be part of something good. That 'art' is really 'artifact,' Exhibit A, Exhibit B, of something else: a person's whole experience and life. And that always there's the chance that this will fail. That things will not work out.

Stalinism - or communism - is the only ideology Americans know how to demonise... no one knows what it is, it's just a synonym for the Empire of Evil.

Because I'm moved in writing to be irrepressible. Writing to you seems like some holy cause, cause there's not enough female irrepressibility written down. I've fused my silence and repression with the entire female gender's silence and repression. I think the sheer fact of women talking, being, paradoxical, inexplicable, flip, self-destructive but above all else public is the most revolutionary thing in the world.

In Mexico, muralism is an important part of the artistic vocabulary, and it has a very different place than it does in the US. Here, you see mainly commercial signage and dead slick graphic works, or murals that are incredibly narrative and littered with too much content - bad political art. But in Mexicali, all kinds of artists work with mural art. In Mexicali, the social practice of art existed in a completely authentic and unselfconscious way.

Why do people think that we’re degraded when we’re examining positions of degradation, or examining the cycle of our own degradation?