I'm definitely attracted to the idea of people that have these big aspirations that the audience know might never happen, but they're lost in them.

I get bored with the constant probing for the cliched tears of the clown, the dark side of the comic.

I've done signings where elderly people will line up to get photos with me and ask me to sign things. They don't even pretend it's for their grandkids. They're like, "No, it's for me."

I have a massive guilt thing about money.

People were making fun of redheads before I came along.

I started doing comedy just as myself, because I thought, "This is what's expected, you're meant to tell stories and do observations." And then I started to realize that I wanted to mix it up a bit, so I started to doing songs, and I had a little keyboard onstage and would bring in little props. Then I thought about the idea of talking about a character and becoming the character onstage. So, it sort of morphed into being stand-up that was more character based, and I found that's the stuff I got the better reaction from and was more exciting for me.

Religious humor is not really my area, so I probably wouldn't do anything about that, or politics or something.