In the end, it doesn't really matter what you paint. It's all just a routine to connect yourself finally with other people.

There was a point in time where the thought of people even talking about me made me anxious. Physically.

The studio is a laboratory, not a factory. An exhibition is the result of your experiments, but the process is never-ending. So an exhibition is not a conclusion.

I was listening to a lot of hip hop, music like Public Enemy that was about raising consciousness, and I realised I could feed that directly into my work, using images in a way that was a bit like sampling - taking images from diverse places, exploring the contradictions without trying to hide the seams.

Often I think changes within my work have been seen as sudden changes or sharp changes, but for me they're not that sudden. They have been there in the studio, but not so much in public.

In the end, it doesn't really matter what you paint. It's all just a routine to connect yourself finally with other people.

When I left the Royal College, I decided I would only make paintings that I would want to look at myself, that felt close to my life.