Often I think changes within my work have been seen as sudden changes or sharp changes, but for me they're not that sudden. They have been there in the studio, but not so much in public.

I'm aware that success can overwhelm you. The perception of you can be elevated to such a status that it's not you any more.

There's a magic that comes from playing entirely to who you are. I've got my specialist subject - in the Mastermind sense - and I wouldn't change it, or who I am.

The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time.

In the end, it doesn't really matter what you paint. It's all just a routine to connect yourself finally with other people.

The studio is a laboratory, not a factory. An exhibition is the result of your experiments, but the process is never-ending. So an exhibition is not a conclusion.

When I left the Royal College, I decided I would only make paintings that I would want to look at myself, that felt close to my life.