I had horrible acne when I was a kid. I felt like a complete and utter ne'er do well and someone who didn't fit in and wasn't handsome. So, I understand implicitly, and with a great amount of empathy, a man or human being that feels that way.

[ The Finest Hours] reminded me a lot of a film I did called Unstoppable in that you have a driving thriller aspect of the film and it's not all that complicated of a story and there's a simple elegance to it. I liked that. It is also driven by a really strong romance and ordinary men doing extraordinary things. I love that.

The great thing about theater is that you have so much time to prepare, and to fail, before presenting it to the public. In film, the high-wire act seems to be that much farther up, and the net seems to be less there.

Maybe the realisation of the full human potential is the utopian thing. Maybe that is our collective struggle, is to find a way to get there. But right now it seems like we're duplicating what was written in the Bible, a millennium ago, which is "An eye for an eye." Revenge policy; "If you hit me, we'll hit you back worse"; ad infinitum.

It opens Wednesday or Friday.

I had horrible acne when I was a kid. I felt like a complete and utter ne'er do well and someone who didn't fit in and wasn't handsome. So, I understand implicitly, and with a great amount of empathy, a man or human being that feels that way.

As an actor it's easy to be so self-critical, saying to yourself: "Am I good enough? Am I good looking enough? Am I smart enough?" Yet here I am, so I'm lucky.