I don't know any kid that's not afraid at some point going to bed with the lights off, totally. That's why they make nightlights.

When I got the job I thought about her a lot. Not only was I getting a great job in a really good movie, but it was with Lindsay Lohan. She's so famous and I don't have any of that, I have never experienced that kind of intense scrutiny that she's under, so of course I wondered what it would be like acting opposite her. I can tell you that it's like being with The Beatles. You cannot fathom the kind of attention she gets. It's mind boogling.

When I was 18 I was an emotional wreck and I couldn't imagine having to deal with some kind of fame.

In adolescence, it's 'How do I fit in?' In your 20s, 'What do I want to do?' Your 30s, 'Is this what I'm meant to do?' I think the trick is living the questions. Not worrying so much about what's ahead but rather sitting in the gray area; being okay with where you are. If you can find the parity between 'Where am I going?' and 'What's my purpose?' you've got two pretty solid pillars for your coffee table.

I love the stories that have come before, that we know of. I think for me it's always more interesting to start from square one and you take the fundamental pillars of the character and, around that, try to create something new and different.

My touchstone is just fear and anxiety and I know a lot about those two awful emotions.

With film, oftentimes you work in a vacuum and then you get on a high wire and then you try it and then the day's over and that piece of film exists somewhere in a vault for 1000,000 years and that's it.