I don't know any kid that's not afraid at some point going to bed with the lights off, totally. That's why they make nightlights.

It's not always the case that things will fall into your lap or that life will be great, but it's all about perspective and having a positive outlook. If something goes wrong you say: "That happened for a reason, what can I learn from that and how can I grow?"

When I got the job I thought about her a lot. Not only was I getting a great job in a really good movie, but it was with Lindsay Lohan. She's so famous and I don't have any of that, I have never experienced that kind of intense scrutiny that she's under, so of course I wondered what it would be like acting opposite her. I can tell you that it's like being with The Beatles. You cannot fathom the kind of attention she gets. It's mind boogling.

I was a shy kid, a late bloomer. At 22, I was probably 16 emotionally.

I think it's a very healthy thing to learn from what's happened in the past. But only if you look at what happened and think, 'How could I have dealt with that differently?' Then let it go.

In adolescence, it's 'How do I fit in?' In your 20s, 'What do I want to do?' Your 30s, 'Is this what I'm meant to do?' I think the trick is living the questions. Not worrying so much about what's ahead but rather sitting in the gray area; being okay with where you are. If you can find the parity between 'Where am I going?' and 'What's my purpose?' you've got two pretty solid pillars for your coffee table.

[ The Finest Hours] reminded me a lot of a film I did called Unstoppable in that you have a driving thriller aspect of the film and it's not all that complicated of a story and there's a simple elegance to it. I liked that. It is also driven by a really strong romance and ordinary men doing extraordinary things. I love that.