As long as I keep getting cast, I don't care if it's typecast.

I think any man over 250 pounds rollerblading is instant hilarity. There's nothing funnier than a giant, grown man rollerblading.

Perfect sandwich? Two slices of white bread, mustard, mayo and a platinum American Express card.

I have some weird habits. For instance, I love beets. Show me a salad bar and I will clean them out of their beets.

The key is just to ignore the pain, because physical comedy only works if you see someone get hurt and they aren't actually hurt. If someone gets hit in the face with a bat, falls down, and gets back up, it's funny. If they stay down and their jaw is wired shut in the next scene, it's really tragic and weird. You have to pretend it doesn't hurt.

Figure out whether or not you believe in yourself, and if you don't, find a way to. Because even more than you want it, you must believe it. And learn about yourself. The rhythm of one's spirit is just as important as what you look like or what you sound like. Who are you? What's your voice? What are you dying to contribute?

With comedy, it's a combination of knowing the comedic beat was good - it made you laugh, it made people on the crew laugh. With drama, you do something deep and if your stuff was really effective, the ultimate result is silence. Silence is not necessarily... that would also be the result if you sucked.