You get to a point where you have to start planning, when you cross that line where you have enough value to get someone's movie made if you attach yourself to it, you have to be very thoughtful and have to plan. When you're starting out, you're willing to do anything.

I've done all kinds of cool things as an actor - I've jumped out of helicopters and done some daring stunts and played baseball in a professional stadium, but none of it means anything compared to being somebody’s daddy.

I loved to always get naked. I was very free, so I thought, I may as well get paid.

Actors come up and just blatantly hit on my wife in front of me and don't even look at me.

The key is just to ignore the pain, because physical comedy only works if you see someone get hurt and they aren't actually hurt. If someone gets hit in the face with a bat, falls down, and gets back up, it's funny. If they stay down and their jaw is wired shut in the next scene, it's really tragic and weird. You have to pretend it doesn't hurt.

I like to do 'Garfield Mondays': lasagna and napping in a box.

Film is cool because it's an hour and a half to two hours. It's a great ride. It's typically three acts - beginning, middle and end. It's going on an adventure and by the end it's all cleaned up.