Most of the writers in TV are from L.A. or New York, and those are places where people are cynical and snarky. And they fly from L.A. to New York in an airplane over this vast, expansive land where people aren't snarky; they're a lot more like the Parks and Recreation characters.

I just feel like, if I drink, I want to drink a case of beer and not two beers. Two beers doesn't do anything for me.

If one day someone came up to me and was like, 'Look, you're never going to act again,' I don't know what I would do.

I'm still fighting really hard to get any role I get. If it's comedy, I go for the laughs. And if it's drama, I try to tell the truth, and try to play the real stakes of whatever scenario the character's in.

A good corroborating chain, if they fail in the last link, the whole will fall to the ground.

With moviemaking, you can be halfway around the world for six months. So there are amazing benefits to doing TV, and with the platform change and the way it is, I would never ever rule out doing TV again.

With comedy, it's a combination of knowing the comedic beat was good - it made you laugh, it made people on the crew laugh. With drama, you do something deep and if your stuff was really effective, the ultimate result is silence. Silence is not necessarily... that would also be the result if you sucked.