Most of the writers in TV are from L.A. or New York, and those are places where people are cynical and snarky. And they fly from L.A. to New York in an airplane over this vast, expansive land where people aren't snarky; they're a lot more like the Parks and Recreation characters.

The key is just to ignore the pain, because physical comedy only works if you see someone get hurt and they aren't actually hurt. If someone gets hit in the face with a bat, falls down, and gets back up, it's funny. If they stay down and their jaw is wired shut in the next scene, it's really tragic and weird. You have to pretend it doesn't hurt.

'Ten Year' was probably - I might say 'Ten Year' was my favorite filming experience of anything I ever worked on. It was totally different from 'Moneyball' in that it was a small budget, independent movie. It had a giant ensemble of actors, all of whom were basically working for free.

I would definitely not rule out doing television in the future because I think it's a great medium for telling stories. And it can also be practically very nice for a family man to have 9 months out of the year where you're in the city, where you're close to your home.

I lose my cell phone so much that I switch it every month or so, but Sony Ericsson is usually what I use.

Actors come up and just blatantly hit on my wife in front of me and don't even look at me.

A good corroborating chain, if they fail in the last link, the whole will fall to the ground.