'3:10 to Yuma' was one that I just kept on talking and thinking about after reading it. And I think the reason is because, like in most Westerns, you have the very clear-cut bad-guy/good-guy, however, as the movie progresses, you kind of see that it's a very fine line that divides these two.

The blue collar milieu was something that I really understood and resonated with me and I thought was underrepresented in American cinema.

If you're doing your job properly, you take the risk of feeling slightly foolish and delve in and bring out the emotions.

I tend to think you're fearless when you recognize why you should be scared of things, but do them anyway.

We were incredibly fortunate to get to make three Batman films. That's enough. Let's not get greedy. It's a torch that should be handed from one actor to another. So I enjoy looking forward to what somebody else will come up with.

There's a level of confidence in the actor you're working with that really helps a lot. It makes all the difference.

I feel like I'm pretty good but I don't like to toot my own horn, you know. I want to let the work speak for itself and kind of move on to the next thing.