I grew up in a small village close to a big lake. There are heavy winds there, and they always sound different. I like these sounds best.

I don't release many records just as "Fennesz," so when I do, I want to plan everything in detail. It's not that I want to really lead the listener somewhere; it's more about me being satisfied with a project.

I studied ethnomusicology for a while, but I don't think that really influenced my music.

I hate the idea of repeating myself. I need new perspectives and challenges for each project, and I'm very happy that many people are able to follow me without any problem.

For me, noise is not something I use to shock, or because it's funny, or weird, or whatever. I use it because I find it beautiful.

No more "band psycho" stuff for me. I'm fine without it.

It's amazing. It's actually build from old Siemens Telefunken transistors from the 60ties. There is like 10 in there. It's the most powerful distortion you can have. It does not only do distortion, it does so many weird things. You can't control it, it's sound different all the time. But it's an endless source for fantastic sounds. For example the track "Transit" is entirely made with this box. You have to put the guitar sound in. It's like a pedal.