Photography is solitary and there are lags between seeing with your eyes and seeing through the lens, and then seeing the image on your computer... I often see things after the fact. So there’s a revelatory quality. And this definitely includes a sense of playfulness, because you’re not sure what the consequences are going to be.

[Photography] can be tiny, on your phone, or it can be a billboard, or a film-sized projection, or printed in a magazine. I don't think we've been in a time before when so much photography is available in so many formats, when everybody is a photographer.

The process of editing is what I enjoy most - putting the pieces together and making sense out of them.

I've never been a big cinephile, which may be why I could treat 'The Clock' like a puzzle and force the pieces to fit together in odd ways.

We go to the movies to forget about time, to be in a dream state. And it's entertainment, distraction, from the fact that everything is kind of crumbling in front of our eyes.

If you make something good and interesting and not ridiculing someone or being offensive, the creators of the original material will like it.

Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.