Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.

Every person's remembering will be different. That engagement is important, I think.

I've worked with collage a lot. And there's this chance thing that happens - you don't always control things. Why did you find this today and not this? But you've got this thing, and you make it work. It's the way life is, I suppose. Whatever happens, you deal with it.

If the music in a groove fits with what you're playing, then play it; if not, then you can play it backwards. If that doesn't work, you try it at a different speed. If it really doesn't work you just break it. The whole ritual to put a record on a turntable just to listen to it, I don't do that too often.

It's good to get away from the editing suite. It's very unhealthy to be sitting in front of the screen for too long.

Photography is solitary and there are lags between seeing with your eyes and seeing through the lens, and then seeing the image on your computer... I often see things after the fact. So there’s a revelatory quality. And this definitely includes a sense of playfulness, because you’re not sure what the consequences are going to be.

Most of my pictures are really small statements. There's a banality to them.