Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.

Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.

I've worked with collage a lot. And there's this chance thing that happens - you don't always control things. Why did you find this today and not this? But you've got this thing, and you make it work. It's the way life is, I suppose. Whatever happens, you deal with it.

Every person's remembering will be different. That engagement is important, I think.

You can get so many sounds out of one record. Every record can be used in some way.

Since I was a child I have always been cutting things out and gluing them together rather than drawing them.

[Photography] can be tiny, on your phone, or it can be a billboard, or a film-sized projection, or printed in a magazine. I don't think we've been in a time before when so much photography is available in so many formats, when everybody is a photographer.