I have never been much of a painter.

Since I was a child I have always been cutting things out and gluing them together rather than drawing them.

Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.

We go to the movies to forget about time, to be in a dream state. And it's entertainment, distraction, from the fact that everything is kind of crumbling in front of our eyes.

People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.

You start with an idea but then so many things can happen.

The process of editing is what I enjoy most - putting the pieces together and making sense out of them.