Most of my pictures are really small statements. There's a banality to them.

It's the way life is, I suppose. Whatever happens, you deal with it.

If you make something good and interesting and not ridiculing someone or being offensive, the creators of the original material will like it.

Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.

Every person's remembering will be different. That engagement is important, I think.

I have never been much of a painter.

When you take something apart, you get a great sense of what it took to originally put it together.