That worries me an awful lot. If people misunderstand our intentions [in Black Snake Moan], especially regarding my character, then they're essentially exploiting an already exploited and abused woman. So it's a huge concern for me.

It's Aslan, the lion from The Lion, The Witch And The Wardrobe. It's a symbol of my hellish childhood. I struggled through my oppressive teenage years and when I turned 18 I escaped. Like Aslan I was finally free.

The more that I can work in different mediums, the more I can grow, and learn from different actors and different types of actors and directors and different styles of acting and build a tool box.

A director should cast a person who fits into their script.

I think everybody who really wants to change things has to allow themselves to be angry in a constructive way, and you have to fully understand the thing you're trying to change. We really need to get serious about this now; there needs to be real, effective programs. I think there needs to be a little bit more strategy involved and a little more realism, to be pragmatic and realistic, looking at the way we as women contribute to the problem. Once the second half of the population stops doing it, it's going to end.

Recently, I've really responded to books that bring the magic of childhood back to us as adults.

If anyone ever saw me dance, they'd have trouble taking me seriously.