The vision shared by both [French utopian] Charles Fourier and Robert Owen was for an entire town to fit into one structure. Owen's design for what he called a "parallelogram" was essentially to have a whole city in one building, laid out around a huge quadrangle. Fourier's scheme was to build a massive Versailles-like structure that he called a "phalanstery." In both cases they had these architectural dreams that we now recognize as pretty unappealing.

The secular utopians basically said the exact same thing, they just took the Bible out of the equation. The religious and the secular groups recognized each other as fellow travellers. They exchanged newsletters and asked each other questions like, "What's a good soup pot to use if you're making dinner for 800 people?" They had these practical connections.

So there's that change of general consciousness, and then there's this boom after the war, this expansion into the West. It was like the 1950s. The American economy was pumping at top speed. The kinds of people who would move into these communities and organize their lives around a utopian dream now had dreams about the West.

Atheist isn't really the right word because they tended to believe in some sort of Enlightenment, capital 'N' Nature kind of god. But these were people who in their times were criticized as infidels.

They [Oneida people] didn't want to fix problems one at a time. If someone invited them to a feminist convention, their answer would have been, 'In the new world women will have total equality, so lets spend our energy creating that whole new world.' And to their credit, the women at Oneida probably had far greater practical equality than what any of the women gathered at Seneca Falls experienced in their lifetimes.

Utopians don't say, 'The world's corrupt, women make less money, people of color are oppressed at every turn.' You don't list the problems of the world; you describe a world in which those things aren't the case. The critique is implicit and as a result it's kind of a positive critique. You're not listing what's bad, but rather what would be good - you're oriented toward this positive vision.

The biggest names in the Transcendentalist literary circle visited the community regularly, and supported it, but they couldn't live there happily. Hawthorne [who was briefly a resident] left for reasons I'm sure make sense to you; he couldn't get enough writing done in a house full of people playing music, and arguing. It was too busy.