The thought was, 'We're going to go to California, where the soil is black and ten feet deep, and there are no rocks, and there's gold in the hills.' The West becomes the surface onto which people project their fantasies, where once the future had been the place they projected their fantasies. So it's not just the war that ends the utopian communities, but what follows.
Christine JenningsThe vision shared by both [French utopian] Charles Fourier and Robert Owen was for an entire town to fit into one structure. Owen's design for what he called a "parallelogram" was essentially to have a whole city in one building, laid out around a huge quadrangle. Fourier's scheme was to build a massive Versailles-like structure that he called a "phalanstery." In both cases they had these architectural dreams that we now recognize as pretty unappealing.
Christine JenningsMargaret Fuller was already a celebrity, travelling around the world. Emerson, who was the axis around which that whole community turned, just didn't like Fourier's ideas very much. He thought it was all too rigid and programmatic. He said, "Fourier had skipped no fact but one, namely life." He thought it was an inhumane system - the day is scheduled too precisely. He didn't think it would work, and he was right.
Christine JenningsThe thing that had fueled these utopian communities was a literal belief, and not just a general sense of optimism, that the earth was about to become a paradise. That idea cannot hold water after the war.
Christine JenningsThat to me was one of the most exciting, and weird puzzles of this book: how are the most religious people and the least religious people of their time all drawn to very similar visions of utopia?
Christine JenningsI worry that I may have overstated the impact of Civil War on the utopians. By the time the Civil War comes, most of the communities were quite separated from the wider American society. Their rhetoric is still about transforming the world, but they're not having that much traffic with their neighbors.
Christine Jenningsdon't think I should be in the business of making big pronouncements about where we are now, but I would say that dissatisfaction is as acute now as it was then. What's different, and what I think we can learn from these people, despite their abundant folly, is that we're not using the future as the organizing principle for our critique.
Christine Jennings