I think Stephen Sondheim is a - and I hardly ever use this word - but this is as close as it gets to a genius.

To be fair, on a good project, no matter whether it's improvised or scripted or meticulously prepared, or all up for grabs, it's always, always beyond the safety zone. Every project becomes interesting and exciting once you move beyond that routine. You always aspire to that. It's not that this improvisational mode is the only mode that facilitates that.

I'm trying to be very aware of not repeating myself.

I used to hate exposure situations. What is generally referred to as 'red carpet.'

The villain is usually the most interesting part. But it has to be a smart thing. Just dumb cliché villains with a Russian accent and big muscles and a mean face, I don’t know. My Russian accent isn’t that great, and the muscles aren’t that big and the mean face is not enough. You know what I mean? It gets very boring. Tedious stuff.

I'm not really all that familiar with comic book culture. Not because I'm such a high brow intellectual and bloody European. But it's just something that I was never into. Not because of any superiority. I don't know why.

I have nothing to do with comics. I know nothing about comics. I am aware of the importance of comics, but they're not within my world. Not because I feel that I'm above it, but just that micro-surgery is not in my world either. Is that a deficit or is that an advantage?