To be fair, on a good project, no matter whether it's improvised or scripted or meticulously prepared, or all up for grabs, it's always, always beyond the safety zone. Every project becomes interesting and exciting once you move beyond that routine. You always aspire to that. It's not that this improvisational mode is the only mode that facilitates that.

Becoming an actor is like becoming a father. It's not hard to become one. Making a life of it is the challenge.

I think in Europe, movies are made like a commodity and then sold as art.

You know, I don't talk about the characters that I play. Years ago, I was a little timid about it and I kind of squirmed when I was asked, 'Could you tell us something about your character.' Now with a little self-confidence that comes with the grey beard, I just flatly refuse.

You're always being cast for what you've been in last.

I think Stephen Sondheim is a - and I hardly ever use this word - but this is as close as it gets to a genius.

Ten flashing lights are a nuisance but 500 are fantastic.