I'm trying just to do good clothes, clothes that you need as much as you want.

Every company, of course, teaches you so much humanly and professionally [about] yourself and your creative process.

I'm interested in the intimate relationships we can have with those good clothes that we may have in our closets.

I very much believe in the collective work and the team dynamic.

At Hermès I learned, maybe more than anywhere else, how to work around a legacy, and how to integrate a strong brand culture into my work. Also, to work with a completely different projection system and craftsmanship.

I'm trying just to do good clothes, clothes that you need as much as you want.

I'm not a designer who is very interested in baroque or in fantasy or in the fantastic side of fashion. This exists and this is important, but I'm interested in the very real dimensions.