There is a myth, sometimes widespread, that a person need only do inner work...that a man is entirely responsible for his own problems; and that to cure himself, he need only change himself....The fact is, a person is so formed by his surroundings, that his state of harmony depends entirely on his harmony with his surroundings.

Yet still, there are those special secret moments in our lives, when we smile unexpectedly-when all our forces are resolved. A woman can often see these moments in us, better than a man, better than we ourselves, even. When we know these moments, when we smile, when we are not on guard at all-these are the moments when our most important forces show themselves; whatever it is you are doing at such a moment, hold on to it, repeat it-for that certain smile is the best knowledge that we ever have of what our hidden forces are, and where they lie, and how they can be loosed.

It is possible to make buildings by stringing together patterns, in a rather loose way. A building made like this, is an assembly of patterns. It is not dense. It is not profound. But it is also possible to put patterns together in such a way that many patterns overlap in the same physical space: the building is very dense; it has many meanings captured in a small space; and through this density, it becomes profound.

But in practice master plans fail - because they create totalitarian order, not organic order. They are too rigid; they cannot easily adapt to the natural and unpredictable changes that inevitably arise in the life of a community.

In short, no pattern is an isolated entity. Each pattern can exist in the world only to the extent that is supported by other patterns: the larger patterns in which it is embedded, the patterns of the same size that surround it, and the smaller patterns which are embedded in it.

When you make something, cleaning it out of structural debris is one of the most vital things you do.

Images in the 20th century had a unique power where image became divorced from reality, and often more important than reality. Buildings were judged more by the way they looked in magazines than by the satisfaction people felt when using them.