We are searching for some kind of harmony between two intangibles: a form which we have not yet designed and a context which we cannot properly describe.

Drawings help people to work out intricate relationships between parts.

There are geologists who can pick up a rock and say, 'Yes, there's oil under there.' A geologist who has been studying those kinds of rocks for 10 or 20 years is able to make that pronouncement.

When you make something, cleaning it out of structural debris is one of the most vital things you do.

High buildings have no genuine advantages, except in speculative gains for banks and land owners. They are not cheaper, they do not help create open space, they destroy the townscape, they destroy social life, they promote crime, they make life difficult for children, they are expensive to maintain, they wreck the open spaces near them, and they damage light and air and view.

Images in the 20th century had a unique power where image became divorced from reality, and often more important than reality. Buildings were judged more by the way they looked in magazines than by the satisfaction people felt when using them.

I believe that all centers that appear in space - whether they originate in biology, in physical forces, in pure geometry, in color - are alike simply in that they all animate space. It is this animated space that has its functional effect upon the world, that determines the way things work, that governs the presence of harmony and life.