In short, no pattern is an isolated entity. Each pattern can exist in the world only to the extent that is supported by other patterns: the larger patterns in which it is embedded, the patterns of the same size that surround it, and the smaller patterns which are embedded in it.

To work our way towards a shared language once again, we must first learn how to discover patterns which are deep, and capable of generating life.

It is not possible to make great buildings, or great towns, beautiful places, places where you feel yourself, places where you feel alive, except by following this way. And, as you will see, this way will lead anyone who looks for it to buildings which are themselves as ancient in their form, as the trees and hills, and as our faces are.

When you make something, cleaning it out of structural debris is one of the most vital things you do.

It is possible to make buildings by stringing together patterns, in a rather loose way. A building made like this, is an assembly of patterns. It is not dense. It is not profound. But it is also possible to put patterns together in such a way that many patterns overlap in the same physical space: the building is very dense; it has many meanings captured in a small space; and through this density, it becomes profound.

Drawings help people to work out intricate relationships between parts.

All matter/space has some degree of "self" in it, and this self, or anyway some aspect of the personal, is something which infuses all matter/space and everything we know as matter but now think to be mechanical.