It's always fun to welcome new people into your life. When dating anyone or becoming friends with anyone who has a different profession, a different life, it opens doors. All my friends here do such different creative things. It's so awesome.

I also wonder why is it that so many of the movies and books that are detective stories are also the most aesthetically interesting? From Hollywood noirs to horror movies like The Shining [1980].

Today, MTV doesn't play videos anymore, but YouTube certainly has become the next MTV.

It's always fun to welcome new people into your life. When dating anyone or becoming friends with anyone who has a different profession, a different life, it opens doors. All my friends here do such different creative things. It's so awesome.

I like the idea of the book being wiser than the person who wrote it. None of the novels I've written are direct transcriptions of me blathering over dinner with a glass of wine in my hand. I don't hold any illusion of those conversations being of particular value. The books, though, are - I hope - bigger than my opinions, investigations that go beyond my own intellect or wit.

I also remember when I watched Henry: Portrait of a Serial Killer [1990] at, like, age 15. That scared the crap out of me. Because it didn't operate inside the usual conventions of the horror genre in the way that I could accept. I can accept horny teenager counselors being murdered at camp. But I couldn't accept the derangement of Henry: Portrait of a Serial Killer, which was that anyone could be murdered at any moment - whole families, with no build-up music and no meaning. It terrified me.

Talking to all those great writers and artists for the magazine was a form of graduate school for me.