In my 20s, I was more cynical/despairing (even though I still wrote comically), but I often sent audiences home with rather dark last moments. After a while though, I don't want to send the audience home bummed out, or distressed ... I want to see what's hopeful. I'm not overly cheery all the time, and yet I'm not suicidal either. I do think people can make choices that make their lives happier.

I thought if I can do something more playful and light like my play BEYOND THERAPY, it might be a money maker. I think one of the reasons BEYOND THERAPY has legs - it's been very successful for me around the country - is because it's a friendly play, rather sunny.

My biggest problem with organized religion is that God has been imagined as a human being with emotions. I feel if you let go of that, then it's possible to see God as a force, to connect to him or her spiritually.

Unless you go through all the genuine angers you feel, both justified and unjustified, the feelings of love that you have will not have any legitimate base and will be at least partially false. Plus, eventually you will go crazy.

So many American plays are about family. When you're in the first part of your life, you write about family a lot. I find with my absurdist plays that I was actually writing about my family, but so disguised I didn't realize it myself.

Here is the key to existence. Are you listening? Here is the key to existence; when I tell you this you will know how to run your lives. You will know if you have been living life to the full, and if you realize you haven't been, you will know immediately how to correct that state of affairs. As soon as I tell you the key to existence. Are you ready? Are you ready for me to tell you?... Always breathe. That's the basis of life, breathing. That's basically the basis. If you don't breathe, you die.

I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.